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Sunday, April 05, 2026
By Mike Moats Photography

Part three, scroll back in my feed to read part one and two.

 

About one year after getting my digital camera and doing a lot of shooting and processing, I found a site on the internet called nature photographers and started sharing my images. I also started entering my images into some photo contests.

 

At the end of 2004 things started happening really fast as I ended up winning image of the year in the macro category at the nature photographers. Also won highly honored with three images in the Windland Smith Rice International contest put on my Nature Best magazine. I had one of my images selected for "Let's See Your Best Shot" and it was published in Outdoor Photographer magazine.

 

During that same time, I opened my emails and found an email from Fuji. They said they saw my images at the site Nature Photographers online and that I was using their Fuji S2 camera and that they were coming out with the S3 and wanted me to shoot some images with the new camera.

 

I told them I was not going to buy a new camera, and they said we will give you the camera you just shoot images with it and post them.

 

They also sent me to some photo conferences and were printing my images, having me sign them, and giving them away to people that stopped at their booth. I felt like a rock star.

 

Unfortunately, that all ended after the Fuji S5 camera and they ended making DSLR cameras. So I moved on to the Nikon cameras as my lenses were all Nikon mounts which is what Fuji used.

 

Not long after I started with Fuji, Tamron contact me about shooting with their lenses and started a long relationship shooting their lenses.

 

I was starting to get photo conferences contacting me asking if I would come and present on macro photography and Tamron became my sponsor and paid me for those speaking engagements.

 

I also was contacted by equipment companies asking me to use their products, which I am still working with and using to this day.

 

In 2005 I submitted an article to Outdoor Photographer Magazine on macro photography, and it was accepted and published, which gave me confidence to send out more articles to other magazines and have had many more accepted and published.

 

I got into the art show business in 2006 and sold thousands of prints for eight years, but after tiring of the work that goes into that business and set my new goal of teaching macro photography through workshops.

 

I was contacted by two companies that sell artwork wanting to sell my images, GreatBigCanvas.com CanvasWorld.com and they are still selling my images today.

 

Over the years I have taught thousands of photographers in my workshops and at photo conferences and even started my own Macro Photo Conferences that sold out each year for eight years until covid hit and I stop doing them.

 

Then the online craze started as camera clubs who could not meet in person because of covid started doing zoom meetings online. I was now getting camera clubs contacting me to do presentation at the club meetings though zoom and have presented to hundreds of clubs in the US but also in many other countries.

 

Next, I started two online photo clubs, Macro Photo Club and the recent Flower Photography Club which combined has over 3,600 paid members form 29 countries.

I have been very fortunate and happy to have had all this success.

 

The point of these posts over the last couple days is to point out all this success has come while shooting jpegs which all the experts tell me jpegs suck. So, I'm not sure how I was able to make all these great images and have all this success if the jpeg files suck.

 

None of those sponsors, magazine's, conferences, or photographers signing up for my workshop and online clubs ever cared what format I was shooting in. All they knew was that the images looked great.

 

I don't teach people that they should shoot jpeg over RAW or tell them jpegs are better than RAW, I don't care which way you choose to shoot, I only tell people when I'm asked, that I produce my images shooting jpegs, and if you choose to shoot with jpegs I only hope you are lucky enough to have the same success that I have had.

 

Amen.

Save yourself some time learning flower photography by joining my Flower Photography Club online. Learn from the experts. FLOWER PHOTO CLUB - Mike Moats - Award Winning Macro Photographer

 
Saturday, April 04, 2026
By Mike Moats Photography
Part two of my journey into the digital world. Yesterday I said I had an issue with storage of images in camera with a one gig compact flash card.
 
I learned that the images out of the camera were going to need some post processing. I bought a printer and with the printer I got a free Photoshop Elements processing program.
 
Now have to learn how to use that.
 
So, I started processing my jpegs and everything was working fine. I knew about RAW files so thought I would shoot some and see the difference. I converted the Raw files into Tiffs and did some processing.
 
Here is problem two. In 2004 I owned the cheapest tower computer because I'm cheap. Very slow processor, back in those days a cheap computer maybe had a half a gig of RAM. You all know for processing images it's good to have at least 8 gigs of RAM and a fast processor.
 
So, when I went to process the first Tiff images I was experimenting with, I found the time it would take with any adjustments I was making in Elements was taking forever.
 
The computer was not powerful enough to process the larger files of the Tiffs. So, I'm back to using the Jpegs, because I just spend a lot of money on the new camera and am not going to buy another more powerful computer.
 
Problem number three. Even if the computer was fast enough to process the large file Tiffs the hard drive on a cheap computer didn't have enough space to store all these large files, but it could handle the smaller files of the jpegs.
 
But here's the thing, the jpegs images with some good processing looked really good.
 
Come back tomorrow as the saga continues.

Save yourself some time learning flower photography by joining my Flower Photography Club online. Learn from the experts. FLOWER PHOTO CLUB - Mike Moats - Award Winning Macro Photographer

 
Friday, April 03, 2026
By Mike Moats Photography
When I speak to camera clubs, photo conferences, workshops, or my two online photo clubs, I am always asked why I shoot in jpeg mode. The answer is pretty long so I will answer over the next few days. 
 
In 2004 I bought my first digital DSLR camera body which was a Fuji S2. It was recommended to me by a good friend who is a commercial photographer.
That camera was $2000 which I thought was crazy, but my friend explained that I would be spending a lot of money now but would save a lot of money by never again having to buy film or pay for processing of the film, so that sounded good. Over time I would be saving a lot of money.
 
The camera store salesman was ringing up my purchase and said I will also need to buy a compact flash card. I had no idea what he was talking about so he explains that the compact flash card would record the images I would be shooting and then I could download the images off the card into my computer.
 
Okay, give me one of those. I was shocked when I found out it was $240. I was a little upset because I was already spending $2000 and now, I have to come up with another $240.
 
That compact flash card was only one gig. Which you all know is nothing for storing your images. But I wasn't going to buy more cards.
 
I only had the $2000 in cash, so had to pull out my credit card.
 
I had lenses to use with the new camera so didn't need lenses.
 
When I got home and started learning about my new camera and also about this compact flash card. With a one gig card as I recall I could only record about 35 RAW files, and about 175 jpegs.
 
I bought this camera for a trip with my photo friend to Yosemite.
 
Now we can't drive into Yosemite each day and only shoot 35 RAW files and call it a day. With the Jpegs I could at least shoot 175 images. My friend brought a laptop that we could download each day's image into.
So that was the start of me shooting jpegs because I was limited on storage of the images.
 
Come back tomorrow to read more reasons I was shooting jpegs.

Save yourself some time learning flower photography by joining my Flower Photography Club online. Learn from the experts. FLOWER PHOTO CLUB - Mike Moats - Award Winning Macro Photographer

 
Wednesday, April 01, 2026
By Mike Moats Photography

Last Fall on a frosty morning I was out at Ankley Farm shooting sunflowers.

Some of the sunflowers were dead and brown. I saw this interesting pattern that formed on the backside of this flower head.

Shot with the Fuji X-T30 MKll and the Tamron 18-300.  f/32.

In Smart Photo Editor I cropped what I wanted, Sharpened, and then clicked through filters until I found one I liked.  This is the final result.

Save yourself some time learning flower photography by joining my Flower Photography Club online. Learn from the experts. FLOWER PHOTO CLUB - Mike Moats - Award Winning Macro Photographer

 
Tuesday, March 31, 2026
By Mike Moats Photography

Prairie Coneflowers - Stony Creek Metro Park, MI

Fuji X-T30 MKll Tamron 18-300 f/32 @1/20sec, ISO2000

Creative Processing in Smart Photo Editor.

Original out of the camera.

Save yourself some time learning flower photography by joining my Flower Photography Club online. Learn from the experts. FLOWER PHOTO CLUB - Mike Moats - Award Winning Macro Photographer